Jeremy Scott: The
Peoples Designer,
a documentary directed by
Vlad Yudin
released this past September, features many
musicians such as,
A$ap Rocky, Katy Perry, Miley Cyrus, 2NE1,
Jared Leto, Rihanna, Lady Gaga, Rita Ora and the list goes on. Scott
is a pop culture iconic fashion designer linked to the music industry and has exploded the boundaries of fashion through his creativity and doing things his
way. He heads his own brand and also is the creative director of Moschino. Scott’s
unique vision for Moschino has impacted fashion, art and the music industry. Since his debut as creative director of
Moschino in 2013, the public has seen mainstream commercial brands like
McDonalds, and most recently Windex, inspire his high fashion collection. From
Miley Cyrus to Katy Perry and Rihanna, the list of A-list musicians wearing the
McDonald’s logo continues.
The playful designs can be considered costume-like
and a gimmick, which is why Scott’s designs are considered provocative to the
fashion world. Is Scott intentionally challenging high fashion’s relationship
to mainstream commerce, where burgers and French fries don’t mix with French
couture? What motivates him to merge these two extremes in our society’s
culture? Is Scott’s role in the fashion industry similar to what Andy
Warhol’s role was in the art world?
Both artists have used Americana to their advantage by
repositioning mainstream objects in the public’s consciousness. Neither Warhol nor Scott created the iconic Campbell Soup can or
the McDonald’s golden arches, yet they both take from these global giants and
use branded identity as a way for their own brand to attract media attention. For
Scott, he puts his own name at the center of attention by exploiting another
identity.
Even though he is using another person’s work from the colors of the
McDonalds logo to the text and overall replica of it, he is creating something
new that is a polar opposite from that fast food industry. He is using a cultural
phenomenon to enhance fashion.
As many disparate cultural elements are brought into conversation with each other, celebrity performances, late night drive-through party lifestyle to create fun subversive fashion worn in good humor. As a result, this envelope pushing fashion has attracted many musicians who are eager for that extra x-factor to add to their appearance. When the musician wears his designs, they are wearing his art and in turn it benefits both of the artists (promoting their own individual brands, the musicians identity and the designers brand).
Whether or not you think his designs are considered fashion, we can say that Jeremy Scott's designs can evoke some emotional reaction. Additionally, Scott has brought a form of art to multiple mediums with a special connection to the music world.
In the future, will he be considered a pop art designer for this generation or a passing fad? How long will we be entertained by his constant references to pop culture? One thing is for sure that everything touched by Scott is eye catching, over the top and translates well in a performance and onto the stage.







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